
HongNian Zhang is a world reknowned artist. His fabulous Chinese Historical scenes have been published by National Geographic Magazine 3 times. (National Geographic uses photography to exemplify the narrative and has never featured an artist) They then purchased those paintings for their corporate offices in New York.
His historical scenes are of famous events that happened in the early days of Chinese history and therefore, there are no photos or visual records. These stories are very famous and HongNian is proud to visualize the events as close to historically accurate as is possible. A self taught history buff, he has carried these visions in his head awaiting the occasion to bring them to life.
Once the historical event is chosen, he begins making numerous sketched versions of what is already in his mind. Pouring over them until one satisfies his vision, he then takes that composition to the next level. After numerous layouts, he begins a color study; a sort of palette that will dictate the composition and the costumes.
HongNian travels from Woodstock, NY to China multiple times for each painting as he begins laying the groundwork for documenting these monolithic events. HongNian has a “backstage pass” to places others aren’t allowed entry. Through the Chinese government and National Geographic, as well as museum curators and well-connected Chinese movie stars, He is able to go inside places like the DUN HUANG CAVES, the tombs containing the TERRA COTTA WARRIORS and into the vaults at the Chinese Museums. Once inside, HongNian carefully studies the particular Dynasty that the scene represents. He sketches right from the walls in the caves or the costumes in the vaults and he extracts everything he needs to choreograph his scene. This includes the shapes of vessels, the hairstyles, shoes, clothing, jewelry, accessories, horses, colors and symbols used during that dynasty. Hundreds of individual sketches are made so that he can recreate authentic replicas. In addition, he studies the characteristics of the people in that era: height, body shape, facial features, ethnic heritage and mannerisms. Ever sketching, he later uses this data to draw the individuals for the scene.
Next is the process of measuring the models so that he can custom make authentic recreations of that dynasty’s clothing. He then returns to China to choose the fabrics personally, as the colors need to be historically accurate as well as follow the color palette he has already lined out.